[Leonard-Stage] alcuni artisti con chi lavora a boston

[Neil Leonard]

I just posted a few mp3s to the Berklee server for a non-Padova  
presention, but I thought that I would share them in case they are of  
interest.

A presto,

Neil


Mike Ladd - electronics and rap

http://classes.berklee.edu/nleonard/audio/Mike_Ladd-Awful_Raw_128.mp3
http://classes.berklee.edu/nleonard/audio/Mike_Ladd_shake_it.mp3

Jonathan Check - violin, electronics, installation

http://classes.berklee.edu/nleonard/audio/J_Chen_Short_Cut  
for_Koto_and_Elect.mp3

Hae Young Kim aka Bubblyfish - gameboy, like electronics

http://classes.berklee.edu/nleonard/audio/HaeYoungKim_Morph02.mp3

We can also include Judith Dunaway's sub sonic performance for sub- 
audio and ballons. There are some pictures of Manual Eardrums on the  
internet that you can download, from the presentation at Diapason in  
NYC:

http://www.diapasongallery.org/archive/03_11_01.html


Judy Dunaway

Since 1990, Judy Dunaway has composed over forty compositions for  
balloons as instruments, and has also made this her main instrument  
for improvisation. She has presented her compositions and  
improvisations throughout North America and Europe at many well-known  
venues and festivals including Lincoln Center Out-of-Doors, the SoHo  
Arts Festival, the Alternative Museum, the Knitting Factory, P.S.  
122, Roulette, Experimental Intermedia, the New Museum of  
Contemporary Art, the Bang On A Can Festival, the Guelph Jazz  
Festival, Podewil, ZKM and SŽance Ecoute.
She has performed as a balloon player in compositions by John Zorn  
and Roscoe Mitchell, and in improvisations and/or collaborations with  
the Flux Quartet, Joe Gallant's Illuminati big band, DJ Singe, visual  
artists Ken Butler and Nancy Davidson, and numerous others.
Her compositions for balloons include electronic and multi-media  
works, sound installations, and works that incorporate more  
traditional instrumentation such as string quartet, chorus and  
Japanese koto.

CRI/Composers Recordings Inc. released a full CD of her works for  
balloons entitled "Balloon Music" in 1998. A CD of her noise-rock  
trio "Shar" (in which the balloon replaces the electric guitar) was  
recently released on Outer Realm records. Her discography also  
includes appearances on John Zorn's "Cobra" from Knitting Factory Works.

Awards include a commission from the American Composers Forum's  
Composers Commissioning Fund, an artist/researcher-in-residency at  
Zentrum fuer Kunst und Medientechnologie, a recording residency at  
Harvestworks/Studio Pass, and grants from the National Endowment for  
the Arts, Meet the Composer and the Kalliste Foundation.

Jonathan Chen

Born on April 26 of 1974, JONATHAN CHEN’s work includes sound  
installation, composition and improvisation. His work has been  
performed or installed at The Soap Factory (Minneapolis), Chicago  
Cultural Center, Asian American Jazz Festival, Art House (Dublin),  
Sonic Circuits International Festival of Electronic Music and Art  
(collab. w/Walsh), Heaven Gallery and others. As a violinist and/or  
electronicist he has performed at venues or festivals such as Sounds  
Like Now (NYC), Chicago’s Museum of Contemporary Art, Renaissance  
Society, Smithsonian Institute, Chicago Jazz Festival, as well as  
clubs such as the Empty Bottle, Metro, Green Mill, etc. Chen has  
collaborated or worked with Tatsu Aoki, Olivia Block, Anthony  
Braxton, Gene Coleman, Nic Collins, Andrew Dewar, Steven Drury, David  
Grubbs, Steven Hess, Jessica Pavone, Amnon Wolman, and visual artists  
Jeremy Chen, Santiago Cucullu, Megan Rodgers, and others. His  
recently recorded duets with bassist Tatsu Aoki will be released on AIR.

Chen received his Bachelor of Music degree from Hope College in 1997  
and his Master of Music in violin performance from Northwestern  
University in 1999. In 2001/02 he briefly attended The School of the  
Art Institute of Chicago as a MFA student in the Art and Technology  
program. Currently he is completing his final year as a MA candidate  
in music composition at Wesleyan University, Middletown, CT, where he  
studies with Alvin Lucier, Anthony Braxton and Ron Kuivila. He will  
be relocating to Germany shortly.

Michael Ladd

Boston-born MICHAEL C. LADD received his BA in Black expatriates in  
the Nineteenth century from Hampshire college and an MA in poetry  
from Boston University. He has published in several literary  
magazines including "Long Shot Review" and Bostonia. His work is also  
featured in the book Swing Low, Black Men Writing and the  
anthologies, Aloud: Voices from the Nuyorican Poets Cafe and In  
Defense of Mumia. Michael is the writer and producer of the  
pioneering albums Easy Listening For Armageddon (Scratchie/Mercury),  
Live From Paris (Home Style Cooking), Welcome to the Afterfuture  
(LikeMadd/Ozone), The Infesticons: Gun Hill Road (Big Da Da), and  
Majesticons: Beauty Party (Big Da Da), as well as In What Language?  
with Vijay Iyer (Pi Recordings). As a Fellow at the Institute for  
Arts and Civic Dialogue at Harvard University, Mr. Ladd produced and  
directed "Blood Black and Blue," an audio documentary/performance  
about Black police officers in the United States. His forthcoming  
projects include Nostalgialator (!K7), Negrophilia: The Album  
(Thirsty Ear), and a dub album under the collective alias Father  
Divine (Roir). Michael currently lives in Paris and the Bronx.

Haeyoung Kim

Haeyoung Kim aka Bubblyfish relocated to the US from Korea in 1992.  
With a background in classical piano, she explores the territory of  
sounds and their cultural representation. Her “lo-fi”, 8-bit sound  
works and minimal electronic compositions have been featured by the  
American Museum of the Moving Inage, The New Museum and Lincoln  
Center. She was the 2003 Van Lier resident artists at Harvestworks  
Media Art Center in NYC.
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